André Is an Idiot is heading to theaters after making a splash on the festival circuit.
Joint Venture has acquired North American rights for director Tony Benna’s documentary feature and will release the movie theatrically, starting with Film Forum in New York City on March 6, 2026, The Hollywood Reporter has exclusively learned. André Is an Idiot premiered at the Sundance Film Festival, where it won the audience award and the Jonathan Oppenheim Editing Award in the U.S. documentary competition.
André Is an Idiot centers on André Ricciardi, who considers himself an idiot for not getting a colonoscopy. Over the course of the movie, he remains determined to approach his terminal cancer diagnosis with levity. The project uses stop-motion animation to bring Ricciardi’s stories to life.
In addition to its Sundance success, the movie won the Audience Favorite for Documentary at the Mill Valley Film Festival and the Special Documentary Jury Prize for Impactful Storytelling at the Hamptons Film Festival.
“When André approached me to direct what he called ‘a comedy about his cancer,’ I was taken aback but also deeply honored that he trusted me to tell such an intimate story,” Benna says. “Cancer isn’t inherently funny, but André definitely is. His raw, unapologetic honesty and humor in the face of something so heavy make it impossible not to fall in love with him.”
Joint Venture co-founder and chief creative officer Jess Jacobs calls André Is an Idiot “a documentary unlike any we’ve ever seen” and adds, “The film is a beautiful portrait about mortality, friendship, fatherhood and love — that plays like a stand-up comedy special.”
Hailing from A24 Films, Sandbox Films and Safehouse Pictures, André Is an Idiot counts Ricciardi, Tory Tunnell, Stelio Kitrilakis, Joshua Altman and Ben Cotner as producers. Executive producing are Nicole Stott, Emily Osborne, Marissa Torres Ericson, Jessica Harrop, Greg Boustead, Joby Harold and Lee Einhorn.
In his review of André Is an Idiot for The Hollywood Reporter, critic Daniel Fienberg wrote, “Funny, sad and uncomfortable in shifting proportions, the film is at once an urgent public service announcement and a documentary memento mori.”